father, left his daughter to the care of his elder brother, Pierre
Fischer, disabled from service by a wound received in 1797, and made a
small private venture in the military transport service, an opening he
owed to the favor of Hulot d'Ervy, who was high in the commissariat.
By a very obvious chance Hulot, coming to Strasbourg, saw the Fischer
family. Adeline's father and his younger brother were at that time
contractors for forage in the province of Alsace.

Adeline, then sixteen years of age, might be compared with the famous
Madame du Barry, like her, a daughter of Lorraine. She was one of
those perfect and striking beauties--a woman like Madame Tallien,
finished with peculiar care by Nature, who bestows on them all her
choicest gifts--distinction, dignity, grace, refinement, elegance,
flesh of a superior texture, and a complexion mingled in the unknown
laboratory where good luck presides. These beautiful creatures all
have something in common: Bianca Capella, whose portrait is one of
Bronzino's masterpieces; Jean Goujon's Venus, painted from the famous
Diane de Poitiers; Signora Olympia, whose picture adorns the Doria
gallery; Ninon, Madame du Barry, Madame Tallien, Mademoiselle Georges,
Madame Recamier.--all these women who preserved their beauty in spite
of years, of passion, and of their life of excess and pleasure, have
in figure, frame, and in the character of their beauty certain
striking resemblances, enough to make one believe that there is in the
ocean of generations an Aphrodisian current whence every such Venus is
born, all daughters of the same salt wave.

Adeline Fischer, one of the loveliest of this race of goddesses, had
the splendid type, the flowing lines, the exquisite texture of a woman
born a queen. The fair hair that our mother Eve received from the hand
of God, the form of an Empress, an air of grandeur, and an august line