The Stolen Singer by Martha Idell Fletcher Bellinger
page 7 of 289 (02%)
page 7 of 289 (02%)
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requested an interview at Miss Redmond's earliest convenience.
Holding the half-opened sheets in her hand, the lady closed her eyes and sat motionless, as if in the grasp of an absorbing thought. With the disappearing child, the signs of life on the hillside had diminished. The traffic of the street passed far below, the sharp click-click of a pedestrian now and then sounded above, but no one passed her way. The hum of the city made a blurred wash of sound, like the varying yet steady wash of the sea. As she opened her eyes again, she saw that the twilight had perceptibly deepened. Far away, lights began to flash out in the city, as if a million fireflies, by twos and threes and dozens, were waking to their nocturnal revelry. On the hill the light was still good, and the lady turned again to her reading. The other letter was written on single sheets of thin paper in an old-fashioned, beautiful hand. Wherever a double-s occurred, the first was written long, in the style of sixty years ago; and the whole letter was as easily legible as print. Across the top was written: "To Agatha Redmond, daughter of my ward and dear friend, Agatha Shaw Redmond"; and below that, in the lawyer's choppy handwriting, was a date of nearly a year previous. As Agatha Redmond read the second letter, a smile, half of sadness, half of pleasure, overspread her countenance. It ran as follows: "ILION, MAINE. "MY DEAR AGATHA: "I take my pen in hand to address you, the daughter of the dearest |
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