that he who gives us most pleasure at such festivals is to win the palm:
are they right? 'Possibly.' Let us not be hasty in deciding, but first
imagine a festival at which the lord of the festival, having assembled the
citizens, makes a proclamation that he shall be crowned victor who gives
the most pleasure, from whatever source derived. We will further suppose
that there are exhibitions of rhapsodists and musicians, tragic and comic
poets, and even marionette-players--which of the pleasure-makers will win?
Shall I answer for you?--the marionette-players will please the children;
youths will decide for comedy; young men, educated women, and people in
general will prefer tragedy; we old men are lovers of Homer and Hesiod.
Now which of them is right? If you and I are asked, we shall certainly say
that the old men's way of thinking ought to prevail. 'Very true.' So far I
agree with the many that the excellence of music is to be measured by
pleasure; but then the pleasure must be that of the good and educated, or
better still, of one supremely virtuous and educated man. The true judge
must have both wisdom and courage. For he must lead the multitude and not
be led by them, and must not weakly yield to the uproar of the theatre,
nor give false judgment out of that mouth which has just appealed to the
Gods. The ancient custom of Hellas, which still prevails in Italy and
Sicily, left the judgment to the spectators, but this custom has been the
ruin of the poets, who seek only to please their patrons, and has degraded
the audience by the representation of inferior characters. What is the
inference? The same which we have often drawn, that education is the
training of the young idea in what the law affirms and the elders approve.
And as the soul of a child is too young to be trained in earnest, a kind
of education has been invented which tempts him with plays and songs, as
the sick are tempted by pleasant meats and drinks. And the wise legislator
will compel the poet to express in his poems noble thoughts in fitting
words and rhythms. 'But is this the practice elsewhere than in Crete and
Lacedaemon? In other states, as far as I know, dances and music are