Now it was just at this thrilling part that Euphemia came home, and the
trouble about the flattened hat began. I never flattened her hat. It was
in the box, and so was I; but as for deliberate flattening----It was
just a thing that happened. She should not write such interesting
stories if she expects me to go on tiptoe through the world looking
about for her hats. To have that story taken away just at that
particular moment was horrible. There was fully as much as I had read
still to come, so that a lot happened after this duel of Sword _v._
Fiery Eye. I know from a sheet that came out of place that Margot
stabbed herself with a dagger ("richly jewelled"), but of all that came
between I have not the faintest suspicion. That is the peculiar interest
of it. At this particular moment the one book I want to read in all the
world is the rest of this novel of Euphemia's. And simply, on the score
of a new hat needed, she keeps it back and haggles!




OF CONVERSATION

AN APOLOGY


I must admit that in conversation I am not a brilliant success. Partly,
indeed, that may be owing to the assiduity with which my aunt suppressed
my early essays in the art: "Children," she said, "should be seen but
not heard," and incontinently rapped my knuckles. To a larger degree,
however, I regard it as intrinsic. This tendency to silence, to go out
of the rattle and dazzle of the conversation into a quiet apart, is
largely, I hold, the consequence of a certain elevation and breadth and