these stereotyped things. Quietly go in, sit down, look at your man
until you have seen him enough, and then go. Why not?

Let me once more insist that this keeping up a conversation is a sign of
insecurity, of want of confidence. All those who have had real friends
know that when the friendship is assured the gabble ceases. You are not
at the heart of your friend, if either of you cannot go off comfortably
to sleep in the other's presence. Speech was given us to make known our
needs, and for imprecation, expostulation, and entreaty. This pitiful
necessity we are under, upon social occasions, to say something--however
inconsequent--is, I am assured, the very degradation of speech.




IN A LITERARY HOUSEHOLD


In the literary household of fiction and the drama, things are usually
in a distressing enough condition. The husband, as you know, has a
hacking cough, and the wife a dying baby, and they write in the
intervals of these cares among the litter of the breakfast things.
Occasionally a comic, but sympathetic, servant brings in an
armful--"heaped up and brimming over"--of rejected MSS., for, in the
dramatic life, it never rains but it pours. Instead of talking about
editors in a bright and vigorous fashion, as the recipients of
rejections are wont, the husband groans and covers his face with his
hands, and the wife, leaving the touching little story she is
writing--she posts this about 9 p.m., and it brings in a publisher and
£100 or so before 10.30--comforts him by flopping suddenly over his