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Piano Tuning - A Simple and Accurate Method for Amateurs by J. Cree (Jerry Cree) Fischer
page 117 of 160 (73%)
beats for an interval, the vibration number being known.

It will be seen, from the above facts in connection with the study of
the table of vibration numbers in Lesson XIII, that all fifths do not
beat alike. The lower the vibration number, the slower the beats. If,
at a certain point, a fifth beats once per second, the fifth taken an
octave higher will beat twice; and the intervening fifths will beat
from a little more than once, up to nearly twice per second, as they
approach the higher fifth. Vibrations per second double with each
octave, and so do beats.

By referring to the table in Lesson XIII, above referred to, the exact
beating of any fifth may be ascertained as follows:--

Ascertain what the vibration number of the _exact_ fifth would be,
according to the instructions given beneath the table; find the
difference between this and the _tempered_ fifth given in the table.
Multiply this difference by 3, and the result will be the number of
beats or fraction thereof, of the tempered fifth. The reason we
multiply by 3 is because, as above stated, a variation of one
vibration per second in the fifth causes three beats per second.

_Example._--Take the first fifth in the table, C-128 to G-191.78, and
by the proper calculation (see example, page 147, Lesson XIII) we find
the exact fifth to this C would be 192. The difference, then, found by
subtracting the smaller from the greater, is .22 (22/100). Multiply
.22 by 3 and the result is .66, or about two-thirds of a beat per
second.

By these calculations we learn that the fifth, C-256 to G-383.57,
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