Piano Tuning - A Simple and Accurate Method for Amateurs by J. Cree (Jerry Cree) Fischer
page 16 of 160 (10%)
page 16 of 160 (10%)
|
on.)
After that portion of the case is completed which forms the key-bed or action frame, we are ready to set in the ACTION. By this is meant the keys and all those intricate parts which convey the motion of the key to the hammers which strike the strings, and the dampers which mute them. The requisites of the action are as follows: The keys must descend quickly and easily at the touch of the performer, giving quick response. The weight of the hammer must be properly proportioned to the strings it causes to vibrate. The hammer must rebound after striking the string. (Where the hammer remains against the string, thereby preventing vibration, the term "blocking" is used to designate the fault.) The action must be capable of quick repetition; that is, when a key is struck a number of times in quick succession, it must respond perfectly every time. After striking and rebounding from the string, the hammer should not fall to its lowest position where it rests when not in use, as this |
|