English Embroidered Bookbindings by Cyril James Humphries Davenport
page 11 of 119 (09%)
page 11 of 119 (09%)
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Robert Cotton, Harley, Thomas Rawlinson, Lord Spencer, Heber, Grenville,
and Sir Thomas Phillips (and the list might be doubled without much relaxation of the standard), we have a succession of English collectors to whom it would be difficult to produce foreign counterparts. Round these _dii majores_ have clustered innumerable demigods of the book-market, and certainly in no other country has collecting been as widely diffused, and pursued with so much zest, as in England during the present century. It is to be regretted that so few English collectors have cared to leave their marks of ownership on the books they have taken so much pleasure in bringing together. Michael Wodhull was a model in this respect, for his book-stamp is one of the most pleasing of English origin, and his autograph notes recording the prices he paid for his treasures, and his assiduous collation of them, make them doubly precious in the eyes of subsequent owners. Mr. Grenville also had his book-stamp, though there is little joy to be won from it, for it is unpleasing in itself, and is too often found spoiling a fine old binding. Mr. Cracherode's stamp was as graceful as Wodhull's; but, as a rule, our English collectors, though, as Mr. Fletcher is discovering, many more of them than is generally known have possessed a stamp, have not often troubled to use it, and their collections have never obtained the reputation which they deserve, mainly for lack of marks of ownership to keep them green in the memory of later possessors. That this should be so in a country where book-plates have been so common may at first seem surprising. But book-plates everywhere have been used rather by the small collectors than the great ones, and the regrettable peculiarity of our English bookmen is, not that they despised this rather fugitive sign of possession, but that for the most part they despised book-stamps as well. Of book-plates themselves I have no claim to speak; but for good taste |
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