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English Embroidered Bookbindings by Cyril James Humphries Davenport
page 32 of 119 (26%)
_Cases for Embroidered Books._

Common though the small satin embroidered books must have been in
England during the earlier part of the seventeenth century, it is still
certain that the finer specimens were highly prized, and beautifully
worked bags were often made for their protection. These bags are always
of canvas, and most of them are decorated in the same way, the
backgrounds of silver thread with a design in tapestry-or tent-stitch,
and having ornamental strings and tassels. To describe one of these is
almost to describe all. The best preserved specimen I know belongs to a
little satin embroidered copy of the Psalms, printed in London in 1633,
and measures 5 inches long by 4 inches in depth.

[Illustration: 1--Embroidered Bag for Psalms. London, 1633.]

The same design is repeated on each side. A parrot on a small grass-plot
is in the middle of the lower edge. Behind the bird grow two curving
stems of thick gold braid, each curve containing a beautifully-worked
flower or fruit. In the centre is a carnation, and round it are arranged
consecutively a bunch of grapes, a pansy, a honeysuckle, and a double
rose, green leaves occurring at intervals. From the lower edge depend
three ornamental tassels of silver loops, with small acorns in silver
and coloured silks, one from the centre and one from each corner.

The top edge has two draw-strings of gold and red braid, each ending in
an ornamental oval acorn of silver thread and coloured silks, probably
worked on canvas over a wooden core, ending in a tassel similar to those
on the lower edge.

A long loop of gold and silver braid serves as a handle, or means of
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