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English Embroidered Bookbindings by Cyril James Humphries Davenport
page 52 of 119 (43%)
intentional, but the drawing has accidentally been reversed. She is
surrounded, like her companion with the hawk, by flower sprays, a
thistle, cornflower, strawberries, a rose, lily, bluebell, and small
bunch of grapes, making a kind of arbour, with a wreath of red cloud at
the top. The lady, the petals of the flowers, and the leaves are worked
in fine tapestry-stitch; the stalks and fruits in coloured silks, mixed
with silver wire. The lady has a coif and a cuff of silver guimp
arranged in the same way as that on the other side.

The back is divided into four panels by silver guimp, each containing a
flower worked in tapestry-stitch, a blue flower, a wild rose, a pansy,
and a thistle. The ground of the whole is loosely overcast with silver
thread, the constructive lines of the book being marked by rows of
silver guimp arranged in small arches. The edges are bound by a strong
silver braid. The head and tail bands are worked in silver thread--an
unusual method--and the edges are gilt and gauffred.

There are two ties on each board of striped silk, much frayed and worn,
but the embroidered work itself is in excellent condition, and very
strong.


_New Testament, etc._ London, 1625-35.

[Illustration: 10--New Testament, etc. London, 1625-35.]

A small copy of the New Testament, printed in London in 1625, bound
together with the Psalms, 1635, is covered with canvas, all worked in
tapestry-stitch, and measures 4-1/4 by 3 inches.

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