Masques & Phases by Robert Ross
page 20 of 205 (09%)
page 20 of 205 (09%)
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_debacle_ was more fearful and vivid than the dock and its inevitable
consequence. . . . Presently his eyes rested again on the mummy case. A brilliant inspiration! Here, at all events, was a temporary hiding-place for the corpse of the blackmailer. If it was putting new wine into old bottles, circumstances surely justified a violation of the proverb. Till now a severe unromantic Hellenist, he held Egyptology in some contempt; and for Egypt, except in so far as it illustrated the art of Greece or remained a treasure-house for Greek manuscripts, his distaste was only surpassed by that of the Prophet Isaiah. A bias so striking in the immortal Herodotus is hardly shared by your modern encyclopaedist. While the science of Egyptology and its adepts command rather awe and wonder than sympathy from the uninitiated, who keep their praises for the more attractive study of Greek art. Yet some of us still turn with relief from the serene material masterpieces of Greece, soulless in their very realism and truth of expression, to the vague and happily unexplained monsters, the rigid gods and hieratic princes, who are given new names by each succeeding generation. A knowledge that behind painted masks and gilded, tawdry gew-gaws are the remains of a once living person gives even the mummy a human interest denied to the most exquisite handiwork of Pheidias. Professor Lachsyrma at present felt only the impossibility of a situation that would have been difficult for many a weaker man to face. Humiliation overwhelms the strongest. Modern agencies for the concealment of a body having failed to suggest themselves, he must needs fall back on the despised expedient of Egypt. Palaeography and Greek art were obviously useless in the present instance. He understood at last why deplorable people wanted to abolish Greek from the University curriculum. The coffin was of varnished sycamore wood, ornamented on the outside with |
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