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Masques & Phases by Robert Ross
page 57 of 205 (27%)

'I was brought up to love beauty; my home was more than cultured; it
was refined; we took in the _Art Journal_ regularly.'

Of all modern artists, I suppose that Sir Edward Burne-Jones has inspired
more poetry than any other. A whole school of Oxford poets emerged from
his fascinating palette, and he is the subject of perhaps the most
exquisite of all the _Poems and Ballads_--the '_Dedication_'--which forms
the colophon to that revel of rhymes. I sometimes think that is why his
art is out of fashion with modern painters, who may inspire dealers, but
would never inspire poets. For who could write a sonnet on some
uncompromising pieces of realism by Mr. Rothenstein, Mr. John, or Mr.
Orpen? Theirs is an art which speaks for itself. But Sir Edward Burne-
Jones seems to have dazzled the undergrowth of Parnassus no less than the
higher slopes. In a long and serious epic called 'The Pageant of Life,'
dealing with every conceivable subject, I found:--

With some the mention of Burne-Jones
Elicits merely howls and groans;
But those who know each inch of art
Believe that he can bear his part.

I don't remember what he could bear. Perhaps it referred to his election
at the Royal Academy. Then, again, in a 'Vision' of the next world, a
poet described how--

Byron, Burne-Jones, and Beethoven,
Charlotte Bronte and Chopin are there.

I wonder if this has escaped the eagle eye of Mr. Clement Shorter. Though
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