Masques & Phases by Robert Ross
page 57 of 205 (27%)
page 57 of 205 (27%)
![]() | ![]() |
|
'I was brought up to love beauty; my home was more than cultured; it was refined; we took in the _Art Journal_ regularly.' Of all modern artists, I suppose that Sir Edward Burne-Jones has inspired more poetry than any other. A whole school of Oxford poets emerged from his fascinating palette, and he is the subject of perhaps the most exquisite of all the _Poems and Ballads_--the '_Dedication_'--which forms the colophon to that revel of rhymes. I sometimes think that is why his art is out of fashion with modern painters, who may inspire dealers, but would never inspire poets. For who could write a sonnet on some uncompromising pieces of realism by Mr. Rothenstein, Mr. John, or Mr. Orpen? Theirs is an art which speaks for itself. But Sir Edward Burne- Jones seems to have dazzled the undergrowth of Parnassus no less than the higher slopes. In a long and serious epic called 'The Pageant of Life,' dealing with every conceivable subject, I found:-- With some the mention of Burne-Jones Elicits merely howls and groans; But those who know each inch of art Believe that he can bear his part. I don't remember what he could bear. Perhaps it referred to his election at the Royal Academy. Then, again, in a 'Vision' of the next world, a poet described how-- Byron, Burne-Jones, and Beethoven, Charlotte Bronte and Chopin are there. I wonder if this has escaped the eagle eye of Mr. Clement Shorter. Though |
|