Masques & Phases by Robert Ross
page 62 of 205 (30%)
page 62 of 205 (30%)
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Swinburne.'
Just then we saw a young man coming along the path with a Kodak and a pink evening paper. He seemed pleased to see me, and said, 'May I appreciate you?' I gave the young man a push and he fell right over the cliff. Theodormon threw down after him a heavy-looking book which, alighting on his skull, smashed it. 'My preserver,' he cried, 'you shall see what you like, you shall do what you like, except write my biography. Swinburne is close at hand, though he occasionally wanders. His permanent address is the Peaks, Parnassus. Perhaps you would like to pay some other calls as well.' I assented. We came to a printing-house and found William Morris reverting to type and transmitting art to the middle classes. 'The great Tragedy of Topsy's life,' said Theodormon, 'is that he converted the middle classes to art and socialism, but he never touched the unbending Tories of the proletariat or the smart set. You would have thought, on homoeopathic principles, that cretonne would appeal to cretins.' 'Vale, vale,' cried Charles Ricketts from the interior. I was rather vexed, as I wanted to ask Ricketts his opinions about various things and people and to see his wonderful collection. Shannon, however, presented me with a lithograph and a copy of 'Memorable |
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