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A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three by Thomas Frognall Dibdin
page 43 of 382 (11%)
considerably shrunk. The mouth is full of expression, and the chin somewhat
elongated. The hair flows behind in a broad mass, and ends in a wavy curl
upon the shoulders: not very unlike the professional wigs of the French
barristers which I had seen at Paris. Upon the whole, I prefer this
latter--for breadth and harmony--to the eternal conceit of the wig à la
grecque. "It was so (said Dannecker) that Schiller wore his hair; and it
was precisely with this physiognomical expression that he came out to me,
dressed en roquelaure, from his inner apartment, when I saw him for the
last time. I thought to myself--on so seeing him--(added the sculptor) that
it is thus that I will chisel your bust in marble." Dannecker then
requested me to draw my hand gently over the forehead--and to observe by
what careful, and almost imperceptible gradations, this boldness of front
had been accomplished; I listened to every word that he said about the
extraordinary character then, as it were, before me, with an earnestness
and pleasure which I can hardly describe; and walked round and round the
bust with a gratification approaching to ecstacy. They may say what they
please--at Rome or at London--but a _finer_ specimen of art, in its very
highest department, and of its particular kind, the chisel of _no living_
Sculptor hath achieved. As a bust, it is perfect. It is the MAN; with all
his MIND in his countenance; without the introduction of any sickly airs
and graces, which are frequently the result of a predetermination to treat
it--as _Phidias_ or _Praxiteles_ would have treated it! It is worth a host
of such figures as that of Marshal Saxe at Strasbourg.

"Would any sum induce you to part with it?"--said I, in an under tone, to
the unsuspecting artist ... bethinking me, at the same time, of offering
somewhere about 250 louis d'or--"None:" replied Dannecker. "I loved the
original too dearly to part with this copy of his countenance, in which I
have done my utmost to render it worthy of my incomparable friend." I think
the artist said that the Queen had expressed a wish to possess it; but he
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