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A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three by Thomas Frognall Dibdin
page 48 of 382 (12%)
weather was beautiful, and the road excellent. However, the novelty of each
surrounding object--(but shall ... I whisper a secret in your ear?--the
probably successful result of the negotiation about the two ancient
editions of Virgil--yet more than each surrounding object) put me in
perfect good humour, as we continued to roll pleasantly on towards our
resting-place for the night--either _Göppingen_, or _Geislingen_,--as time
and inclination might serve. The sky was in a fine crimson glow with the
approaching sun-set, which was reflected by a river of clear water, skirted
in parts by poplar and birch, as we changed horses at _Plochingen_. It was,
I think, _that_ town, rather than Göppingen, (the next stage) which struck
us, en passant, to be singularly curious and picturesque on the score of
antiquity and street scenery. It was with reluctance that I passed through
it in so rapid a manner: but necessity alone was the excuse.

We slept, and slept comfortably, at _Göppingen_. From thence to
_Geislingen_ are sweet views: in part luxuriant and cultivated, and in part
bold and romantic. Here, were the humble and neatly-trimmed huts of
cottagers; there, the lofty and castle-crowned domains of the Baron. It was
all pleasing and heart-cheering; while the sky continued in one soft and
silvery tint from the unusual transparency of the day. On entering
_Geislingen_, our attention was quickly directed to other, and somewhat
extraordinary, objects. In this town, there is a great manufactory of
articles in _ivory_; and we had hardly stopped to change horses--in other
words, the postilion had not yet dismounted--ere we were assailed by some
half dozen ill-clad females, who crawled up the carriage, in all
directions, with baskets of ivory toys in their hands, saluting us with
loud screams and tones--which, of course, we understood to mean that their
baskets might be lightened of their contents. Our valet here became the
principal medium of explanation. Charles Rohfritsch raised himself up from
his seat; extended, his hands, elevated his voice, stamped, seized upon
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