Punch, or the London Charivari, Vol. 152, May 30, 1917 by Various
page 58 of 59 (98%)
page 58 of 59 (98%)
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and treatment. There is indeed more than a hint of the BRONTË touch
about the Ex-Mill Girl. For that and other things I send her (whoever she is) my felicitations and good wishes. * * * * * I wonder if Mr. (or Mrs. or Miss) E.K. WEEKES would understand me if I put my verdict upon _The Massareen Affair_ (ARNOLD) into the form of a suggestion that in future its author would be well advised to keep quiet. Not with any meaning that he or she should desist from the pursuit of fiction; on the contrary, there are aspects of _The Massareen Affair_ that are more than promising--vigorous and unconventional characters, a gift of lively talk, and so on. But all this only operates so long as the tale remains in the calm waters of the ordinary; later, when it puts forth upon the sea of melodrama, I am sorry to record that this promising vessel comes as near shipwreck as makes no difference. To drop metaphor, the group of persons surrounding the unhappily-wedded _Anthony Massareen_--_Claudia_, who attempts to rescue him and his two boys, the boys themselves, and the clerical family whose fortunes are affected by their proximity to the _Massareens_--all these are well and credibly drawn. But when we arrive at the fanatic wife of _Anthony_, in her Welsh castle, surrounded by rocks and blow-holes, and finally to that last great scene, where (if I followed events accurately) she trusses her ex-husband like a fowl, and trundles him in a wheel-barrow to the pyre of sacrifice, not the best will in the world could keep me convinced or even decorously thrilled. So I will content myself with repeating my advice to a clever writer in future to ride imagination on the curb, and leave you to endorse this or not as taste suggests. |
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