Repertory Of The Comedie Humaine, Complete, A — Z by Anatole Cerfberr;Jules François Christophe
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page 3 of 633 (00%)
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In the preparation of this English text, great care has been exercised
to gain accuracy--a quality not found in other versions now extant. In one or two instances, errors have been discovered in the original French, notably in dates--probably typographical errors--which have been corrected by means of foot-notes. A few unimportant elisions have been made for the sake of brevity and coherence. Many difficulties confront the translator in the preparation of material of this nature, involving names, dates and titles. Opportunities are constantly afforded for error, and the work must necessarily be painstaking in order to be successful. We desire here to express appreciation for the valuable assistance of Mr. Norman Hinsdale Pitman. To Balzac, more than to any other author, a Repertory of characters is applicable; for he it was who not only created an entire human society, but placed therein a multitude of personages so real, so distinct with vitality, that biographies of them seem no more than simple justice. We can do no more, then, than follow the advice of Balzac--to quote again from the original title-page--and "give a parallel to the civil register." J. WALKER McSPADDEN INTRODUCTION Are you a confirmed _Balzacian_?--to employ a former expression of Gautier in _Jeune France_ on the morrow following the appearance of that mystic Rabelaisian epic, _The Magic Skin_. Have you experienced, while reading at school or clandestinely some stray volume of the |
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