The Land of Contrasts - A Briton's View of His American Kin by James Fullarton Muirhead
page 128 of 264 (48%)
page 128 of 264 (48%)
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A story current in Philadelphia refers to Mr. Richard Vaux, an eminent citizen and member of a highly respected old Quaker family, who in his youth had been an _attaché_ of the American Legation in London. One of his letters home narrated with pardonable pride that he had danced with the Princess Victoria at a royal ball and had found her a very charming partner. His mother replied: "It pleaseth me much, Richard, to hear of thy success at the ball in Buckingham Palace; but thee must remember it would be a great blow to thy father to have thee marry out of meeting." Philosophy, art, and letters receive no greater deference at the hands of the American humorist. Even an Oliver Wendell Holmes will say of metaphysics that it is like "splitting a log; when you have done, you have two more to split." A poster long used by the comedians Crane and Robson represented these popular favourites in the guise of the two lowermost cherubs in the Sistine Madonna. Bill Nye's assertion that "the peculiarity of classical music is that it is so much better than it sounds" is typical of a whole battalion of quips. Scenery, even when associated with poetry, fares no better. The advertising fiend who defaces the most picturesque rocks with his atrocious announcements is, perhaps, hardly entitled to the name of humorist; but the man who affixed the name of Minniegiggle to a small fall near the famous Minnehaha evidently thought himself one. So, doubtless, did one of my predecessors in a dressing-cabin at Niagara, who had inscribed on its walls: "Cannon to right of them, Cannon to left of them, Cannon in front of them, |
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