seldom or never finds a girl who cannot dance fairly, and most of them
can claim much warmer adverbs than that. The American invention of
"reversing" is admirable in its unexaggerated form, but requires both
study and practice; and the reason that it was voted "bad form" in
England was simply that the indolence of the gilded youth prevented
him ever taking the trouble to master it. Our genial satirist _Punch_
hit the nail on the head: "Shall we--eh--reverse, Miss Lilian?"
"Reverse, indeed; it's as much as you can do to keep on your legs as
it is."

One custom at American dances struck me as singularly stupid and
un-American in its inelasticity. I know not how widespread it is, or
how fashionable, but it reigned in circles which seemed to my
unsophisticated eyes quite _comme il faut_. The custom is that by
which a man having once asked a lady to dance becomes responsible for
her until someone else offers himself as her partner. It probably
arose from the chivalrous desire not to leave any girl partnerless,
but in practice it works out quite the other way. When a man realises
that he _may_ have to retain the same partner for several dances, or
even for the greater part of the evening, he will, unless he is a
Bayard absolutely _sans peur et sans reproche_, naturally think twice
of engaging a lady from whom his release is problematical. Hence the
tendency is to increase the triumphs of the belle, and decrease the
chances of the less popular maiden. It is also extremely uncomfortable
for a girl to feel that a man has (to use the ugly slang of the
occasion) "got stuck" with her; and it takes more adroitness and
self-possession than any young girl can be expected to possess to
extricate herself neatly from the awkward position. Another funny
custom at subscription balls of a very respectable character is that
many of the matrons wear their bonnets throughout the evening. But