the Provençal poets better than Nostradamus, defends him successfully
from this absurd accusation.

Although Provençal poetry was a little on its decline since the days of
the Dukes of Aquitaine and the Counts of Toulouse, it was still held in
honour; and, when Petrarch arrived, the Floral games had been
established at Toulouse during six years.[C]

Ere long, however, our travellers found less agreeable objects of
curiosity, that formed a sad contrast with the chivalric manners, the
floral games, and the gay poetry of southern France. Bishop Colonna and
Petrarch had intended to remain for some time at Toulouse; but their
sojourn was abridged by their horror at a tragic event[D] in the
principal monastery of the place. There lived in that monastery a young
monk, named Augustin, who was expert in music, and accompanied the
psalmody of the religious brothers with beautiful touches on the organ.
The superior of the convent, relaxing its discipline, permitted Augustin
frequently to mix with the world, in order to teach music, and to
improve himself in the art. The young monk was in the habit of
familiarly visiting the house of a respectable citizen: he was
frequently in the society of his daughter, and, by the express
encouragement of her father, undertook to exercise her in the practice
of music. Another young man, who was in love with the girl, grew jealous
of the monk, who was allowed to converse so familiarly with her, whilst
he, her lay admirer, could only have stolen glimpses of her as she
passed to church or to public spectacles. He set about the ruin of his
supposed rival with cunning atrocity; and, finding that the young woman
was infirm in health, suborned a physician, as worthless as himself, to
declare that she was pregnant. Her credulous father, without inquiring
whether the intelligence was true or false, went to the superior of the