cooled down so much, that at last he was annoyed when it was mentioned
to him, and turned the conversation, if he could, to a different
subject. Nay, it is probable, that if it had not been for Boccaccio and
Coluccio Salutati, who, long after he had left Vaucluse, importuned him
to finish and publish it, his Africa would not have come down to
posterity.

Petrarch alludes in one of his letters to an excursion which he made in
1338, in company with a man whose rank was above his wisdom. He does not
name him, but it seems clearly to have been Humbert II., Dauphin of the
Viennois. The Cardinal Colonna forced our poet into this pilgrimage to
Baume, famous for its adjacent cavern, where, according to the tradition
of the country, Mary Magdalen passed thirty years of repentance. In
that holy but horrible cavern, as Petrarch calls it, they remained three
days and three nights, though Petrarch sometimes gave his comrades the
slip, and indulged in rambles among the hills and forests; he composed a
short poem, however, on St. Mary Magdalen, which is as dull as the cave
itself. The Dauphin Humbert was not a bright man; but he seems to have
contracted a friendly familiarity with our poet, if we may judge by a
letter which Petrarch indited to him about this time, frankly
reproaching him with his political neutrality in the affairs of Europe.
It was supposed that the Cardinal Colonna incited him to write it. A
struggle that was now impending between France and England engaged all
Europe on one side or other. The Emperor Lewis had intimated to Humbert
that he must follow him in this war, he, the Dauphin, being
arch-seneschal of Arles and Vienne. Next year, the arch-seneschal
received an invitation from Philip of Valois to join him with his troops
at Amiens as vassal of France. The Dauphin tried to back out of the
dilemma between his two suitors by frivolous excuses to both, all the
time determining to assist neither. In 1338 he came to Avignon, and the