classic associations which formed its halo.

As if to keep up the fever of his joy, he received the same day, in the
afternoon, at four o'clock, another letter with the same offer, from
Roberto Bardi, Chancellor of the University of Paris, in which he
importuned him to be crowned as Poet Laureate at Paris. When we consider
the poet's veneration for Rome, we may easily anticipate that he would
give the preference to that city. That he might not, however, offend his
friend Roberto Bardi and the University of Paris, he despatched a
messenger to Cardinal Colonna, asking his advice upon the subject,
pretty well knowing that his patron's opinion would coincide with his
own wishes. The Colonna advised him to be crowned at Rome.

The custom of conferring this honour had, for a long time, been
obsolete. In the earliest classical ages, garlands were given as a
reward to valour and genius. Virgil exhibits his conquerors adorned with
them. The Romans adopted the custom from Greece, where leafy honours
were bestowed on victors at public games. This coronation of poets, it
is said, ceased under the reign of the Emperor Theodosius. After his
death, during the long subsequent barbarism of Europe, when literature
produced only rhyming monks, and when there were no more poets to crown,
the discontinuance of the practice was a natural consequence.

At the commencement of the thirteenth century, according to the Abbé
Resnel, the universities of Europe began to dispense laurels, not to
poets, but to students distinguished by their learning. The doctors in
medicine, at the famous university of Salerno, established by the
Emperor Frederic II., had crowns of laurel put upon their heads. The
bachelors also had their laurels, and derived their name from a baculus,
or stick, which they carried.