received accounts that the Bishop was taken dangerously ill. Whilst his
mind was agitated by this news, he had the following dream, which he has
himself related. "Methought I saw the Bishop crossing the rivulet of my
garden alone. I was astonished at this meeting, and asked him whence he
came, whither he was going in such haste, and why he was alone. He
smiled upon me with his usual complacency, and said, 'Remember that when
you were in Gascony the tempestuous climate was insupportable to you. I
also am tired of it. I have quitted Gascony, never to return, and I am
going to Rome.' At the conclusion of these words, he had reached the end
of the garden, and, as I endeavoured to accompany him, he in the kindest
and gentlest manner waved his hand; but, upon my persevering, he cried
out in a more peremptory manner, 'Stay! you must not at present attend
me.' Whilst he spoke these words, I fixed my eyes upon him, and saw the
paleness of death upon his countenance. Seized with horror, I uttered a
loud cry, which awoke me. I took notice of the time. I told the
circumstance to all my friends; and, at the expiration of
five-and-twenty days, I received accounts of his death, which happened
in the very same night in winch he had appeared to me."

On a little reflection, this incident will not appear to be
supernatural. That Petrarch, oppressed as he was with anxiety about his
friend, should fall into fanciful reveries during his sleep, and imagine
that he saw him in the paleness of death, was nothing wonderful--nay,
that he should frame this allegory in his dream is equally conceivable.
The sleeper's imagination is often a great improvisatore. It forms
scenes and stories; it puts questions, and answers them itself, all the
time believing that the responses come from those whom it interrogates.

Petrarch, deeply attached to Azzo da Correggio, now began to consider
himself as settled at Parma, where he enjoyed literary retirement in the