The Three Brides, Love in a Cottage, and Other Tales by Francis A. (Francis Alexander) Durivage
page 105 of 439 (23%)
page 105 of 439 (23%)
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and seemed to support her husband's wealth and luxurious style of
living with the greatest fortitude and resignation, never complaining of her comforts, nor murmuring a wish for living in a cottage. THE CAREER OF AN ARTIST. I woke up one morning and found myself famous.--BYRON. Julian Montfort was a farmer's boy; bred up to the plough handle and cart tail. His father and mother were plain, honest people, of hard-working habits and limited ideas, and without the slightest dash of romance in their temperaments. Their house, their lands were unprepossessing in appearance. The soil was impoverished by long and illiberal culture; and old Montfort had a true old-fashioned prejudice against trees. Instead of smiling hedgerows, with here and there a weeping elm or plumy evergreen to cast their graceful shadows upon the pasture land, his acres were enclosed with harsh stone walls, or an unpicturesque Virginia fence with its zigzag of rude rails. The farmer had an equal prejudice against books, "book larnin', and book-larned men." Of course, with these ideas, Julian's education was limited to a few quarters' schooling under an old pedagogue, whose native language was Dutch, and who never took very kindly to the English tongue. Besides, teaching was only an episode with him; for his vocation was that of a clergyman, and he held forth on Sundays in alternate Dutch and English to his little congregation--as is still the custom in many |
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