think you would even things up and be more comfortable all the time."

"Then we would have nothing. It would be additional expenditure on
things that don't matter, and no money left for things that do. Opening
these rooms, for instance, would not greatly add to our pleasure. After
all, we can only sit in one room at a time. To have many guests and
motors and horses for hunting, and to have big shooting parties--all
that is an expense not to be thought of. It amuses us more to go to
Rome, so we prefer to save for nine months in order to live well the
other three."

Nina was trying to do a sum in mental arithmetic; she could not quite
make the diminished interest account for her aunt's evident lack of
income, but did not like to ask for more details. However, something
else happened that diverted her attention. They went through
innumerable rooms, always to the distant droning sing-song of the
guide's explanations.

Finally they came to the picture gallery. It was not a notable
collection, with one or two exceptions; and one of these exceptions was
strikingly absent. The guide left the group and approached the princess,
exclaiming, "Excellency! The Raphael!"

"It has been sent to be repaired." Her hesitation was scarcely
perceptible. "The background was sinking a little."

The man quite forgot himself and in his excitement dared a retort--"It
was one of the best preserved Raphaels extant." But the expression in
the princess' straight-gazing eyes held his further speech in check, and
though she said no word the man cringed.