and deliciously. He swung himself lightly over the balustrade and
gathered her a long-stemmed rose from the bush whose early branches were
supposed to have known the touch of Beatrice. Perhaps the legend was
untrue, but his action, like the afternoon, held much that was alluring.
Something of this allure lay in Giovanni's having the same name as the
people he told about. Something, too, in the carelessness, and yet the
pride, of his telling, made his tales enchanting, and seemed in some way
to include his own personality in the chain of romance as its final
link. The garden was spread before her. The underground passage she
knew, and it wound directly beneath her feet. The chapel, the statue,
the ruins of the little temple, the monastery encircling like a low
crown the summit of the distant mountain, all were before her; and
beside her was a son of the same race, of the same blood. She wondered
vaguely why it was so much more apparent in Don Giovanni than in her
uncle the prince. Prince Sansevero seemed quite modern; the Marchese di
Valdo, though more modern actually than his brother, still seemed to
keep his touch on the age that was past.

"Do these old legends please you, Mademoiselle? Or are you too restless?
Too progressive? Americans, like the horse Pegasus, leap into the air
without any need of foundation to stand on. We, over here, build, like
the coral reefs, slowly perhaps, but always from the foundation up."

"I think," said Nina slowly; "it is the mystery of the past that makes
it so wonderful. We never can know quite enough about it. All legends
are like pictures seen through a fog; it lifts and shows a glimpse, then
as quickly closes in again. I always want to know what happened next."

As she said this, she realized that she was more or less making an
allegorical description of Giovanni himself. He was like his country and