The Bay State Monthly, Volume 3, No. 2 by Various
page 125 of 141 (88%)
page 125 of 141 (88%)
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is easy and flows along trippingly from the tongue with such regular
emphasis and cadence as to lead instinctively to a sort of sing-song in the recital of it. Ballads are more frequently written in common metre lines of eight and six syllables alternating. Such is the famous ballad of "Chevy Chace,"[5] which has been growing in popular esteem for more than three hundred years. Ben Jonson used to say he would rather have been the author of it than of all his works. Sir Philip Sidney, in his discourse on poetry, says of it: "I never heard the old song of Percy and Douglass that I found not my heart more moved than with a trumpet." Addison wrote an elaborate review of it in the seventieth and seventy-fourth numbers of the _Spectator_. He there demonstrates that this old ballad has all the elements in it of the loftiest existing epic. The moral is the same as that of the Iliad: "God save the king and bless the land In plenty, joy and peace And grant henceforth that foul debate Twixt noblemen may cease." Addison, in Number 85 of the _Spectator_, also commends that beautiful and touching ballad denominated "The Children in the Wood." He observes, "This song is a plain, simple copy of nature, destitute of the helps and ornaments of art. The tale of it is a pretty, tragical story and pleases for no other reason than because it is a copy of nature." It is known to every child as a nursery song or a pleasant story. A stanza or two will reveal its pathos and rhythm. The children had been committed by their dying parents to their uncle: |
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