Although the Powow river has been made so emphatically a stream of use,
there are glimpses of a native beauty in it that its hard fate has never
obliterated; these are still there, as one stands upon the little bridge
that spans its last few rods of individual life and looks up the stream
upon a wintry landscape, or upon summer fields, and longingly toward the
bend.

Whether the Powow has any power to set in motion the wheels of fancy as
it does the wheels of the factories it is impossible to say, but this
much is certain; on its banks was born an artist who has made his name
known on the banks of the Seine. The father of Mr. Charles Davis, our
young artist of great promise and of no mean performance, was for years
a teacher in Amesbury, and the garden of the house where this son was
born bordered upon the Powow.

[Illustration: THE OLD SANDY HILL MEETING HOUSE]

At Pond Hills, between Amesbury and Merrimac, is lake Attitash, which,
before Mr. Whittier took pity upon it, rejoiced in the name of Kimball's
Pond. There is a slight suspicion that it is still occasionally called
by its old name. In dry seasons the water is used by the mills. But the
blue lake is as beautiful as if it were never useful. On its shore
enough grand old pines are left to dream under of forests primeval, of
Indian wigwams, and of canoes on the bright water; for the red men knew
very well the hiding places of the perch and of the pickerel. So did the
white men who chose the region of the Merrimac for their new home. In
the "Maids of Attitash" is described the lake where

"In sky and wave the white clouds swam,