A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament - Sixth Annual Report of the Bureau of Ethnology to the - Secretary of the Smithsonian Institution, 1884-'85, - Government Printing Office, Washington, 1888, (pages - 189-2 by William H. Holmes
page 25 of 70 (35%)
page 25 of 70 (35%)
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In the following figures we have illustrations of the peculiar class of primitive experiments that, after the lapse of ages, lead up to marvelous results, the highest of which may be found in the exquisite laces of cultured peoples. The Americans had only taken the first steps in this peculiar art, but the results are on this account of especial interest in the history of the art. An example of simple reticulated hand weaving is shown in Fig. 308. It is the work of the mound builders and is taken from an impression upon an ancient piece of pottery obtained in Tennessee. [Illustration: FIG. 308. Incipient stage of reticulated ornament. Fabric of the mound builders.] Fig. 309 illustrates a bit of ancient Peruvian work executed on a frame or in a rude loom, a checker pattern being produced by arranging the warp and woof now close together and now wide apart. Open work of this class is sometimes completed by after processes, certain threads or filaments being drawn out or introduced, by which means the figures are emphasized and varied. In Fig. 310 we have a second Peruvian example in which the woof threads have been omitted for the space of an inch, and across this interval the loose warp has been plaited and drawn together, producing a lattice-like band. [Illustration: FIG. 309. Simple form of ornamental reticulation. Ancient Peruvian work.] |
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