A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament - Sixth Annual Report of the Bureau of Ethnology to the - Secretary of the Smithsonian Institution, 1884-'85, - Government Printing Office, Washington, 1888, (pages - 189-2 by William H. Holmes
page 43 of 70 (61%)
page 43 of 70 (61%)
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Figs. 332 and 333. Feathers of brilliant hues are fixed to and woven
in with certain of the woof strands, which are treated, in the execution of patterns, just as are ordinary colored threads, care being taken not to destroy the beauty of the feathers in the process. The richly colored feathers lying smoothly in one direction are made to represent various figures necessarily geometric. This simple work is much surpassed, however, by the marvelous feather ornamentation of the Mexicans and Peruvians, of which glowing accounts are given by historians and of which a few meager traces are found in tombs. Much of the feather work of all nations is of the nature of embroidery and will receive attention further on. A very clever device practiced by the northwest coast tribes consists in the use of two woof strands of contrasting colors, one or the other being made to appear on the surface, as the pattern demands. [Illustration: FIG. 330. Ornament produced by wrapping certain light fillets with darker ones before weaving. Mexican work.] [Illustration: FIG. 331. Ornamental effect secured by weaving in series of dark fillets, forming a superficial device. Work of the Klamath Indians.] [Illustration: FIG. 332. Baskets ornamented with feather work. Northwest coast tribes--1/4.] [Illustration: FIG. 333. Baskets ornamented with feather work. Northwest coast tribes--1/4.] An example from a higher grade of art will be of value in this connection. The ancient Peruvians resorted to many clever devices for |
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