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A Study Of The Textile Art In Its Relation To The Development Of Form And Ornament - Sixth Annual Report of the Bureau of Ethnology to the - Secretary of the Smithsonian Institution, 1884-'85, - Government Printing Office, Washington, 1888, (pages - 189-2 by William H. Holmes
page 52 of 70 (74%)
the conventional form imposed in bead work.]

My second illustration (Fig. 339) is drawn from a superb example of
the basketry of the Yokut Indians of California. The two figures form
part of a spirally radiating band of ornament, which is shown to good
advantage in the small cut. Fig. 340. It is of the coiled style of
construction. The design is worked in four colors and the effect is
quiet and rich.

[Illustration: FIG. 339. Conventional figures from a California Indian
basket.]

[Illustration: FIG. 340. Basket made by the Yokut Indians of
California.]

Turning southward from California and passing through many strange
lands we find ourselves in Peru, and among a class of remains that
bespeak a high grade of culture. The inhabitants of Ancon were
wonderfully skilled in the textile art, and thousands of handsome
examples have been obtained from their ancient tombs. Among these
relics are many neat little workbaskets woven from rushes. One of
these, now in the National Museum, is encircled by a decorated belt in
which are represented seven human figures woven in black filaments
upon a brown ground.

The base and rim of the basket are woven in the intertwined
combination, but in the decorated belt the style is changed to the
plain right angled interlacing, for the reason, no doubt, that this
combination was better suited to the development of the intended
design. Besides the fundamental series of fillets the weaver resorted
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