How to Enjoy Paris in 1842 - Intended to Serve as a Companion and Monitor, Containing - Historical, Political, Commercial, Artistical, Theatrical - And Statistical Information by F. Hervé
page 38 of 343 (11%)
page 38 of 343 (11%)
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appearance, or as if the inmates did not belong to them; as no care
appears to have been taken to give them some degree of neatness and comfort; in fact, to bestow upon them an air of home; the stranger continues rattling over the stones between these great lumbering-looking dwellings, until his eye is attracted by the Porte St. Denis, which is a triumphal arch built by Louis the Fourteenth, and certainly presents a most imposing mass of sculpture, which, although blackened by time, is an object well worthy the attention of the observing traveller; and here he crosses the Boulevards, by which he gets a little peep at the inspiring gaiety of Paris, but is soon hurried into noisy streets until his brain feels in a whirl; and on his arrival at the Diligence-yard, when he hopes to obtain a little repose, he is annoyed by being asked for the keys of his trunks, for the Custom House officers, to make believe to look into them to ascertain that you have not smuggled any liquors or other material within the walls of Paris. Those who are fortunate enough to travel in their own carriages, are exempted from such tiresome ceremony. Some of the other entries to Paris are somewhat better, but none of them sufficiently so, to be worthy notice; perhaps the best amongst the bad is by the Faubourg St. Antoine, the Barrières du Trône, at the commencement and summit of the street, presenting a most noble appearance; indeed, as far as the barriers are concerned, there are many which are well worthy of notice, being mostly handsome stone buildings with columns that give them an imposing effect, particularly when we recollect the little turnpike gates at the principal entrances of London, with the exception of the recent erections at Knightsbridge, which sink into nothingness when compared to the Triumphal Arch at the entrance already described; and, except foreigners, particularly the English, enter by that quarter, the first aspect of Paris mostly excites disappointment; the generality of the streets wanting that straight line of regularity so prevalent throughout London, the French |
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