architecture, where the mind is to be impressed or elevated, we never
have equaled, and we never shall equal, them. It will be seen
hereafter, when we leave the lowly valley for the torn ravine, and the
grassy knoll for the ribbed precipice, that, if the continental
architects cannot adorn the pasture with the humble roof, they can crest
the crag with eternal battlements;[11] if they cannot minister to a
landscape's peace, they can add to its terror; and it has been already
seen, that, in the lowland cottages of France and Italy, where high and
refined feelings were to be induced, where melancholy was to be excited,
or majesty bestowed, the architect was successful, and his labor was
perfect: but, now, nothing is required but humility and gentleness; and
this, which he does not feel, he cannot give: it is contrary to the
whole force of his character, nay, even to the spirit of his religion.
It is unfelt even at the time when the soul is most chastened and
subdued; for the epitaph on the grave is affected in its sentiment, and
the tombstone gaudily gilded, or wreathed with vain flowers.

[Footnote 11: This too refers to the unwritten sequel.]

[Illustration: FIG. 6. The Highest House in England.]

59. We cannot, then, be surprised at the effort at ornament and other
fancied architectural beauties, which injure the effect of the more
peaceful mountain scenery abroad; but still less should we be surprised
at the perfect propriety which prevails in the same kind of scenery at
home; for the error which is there induced by one mental deficiency, is
here prevented by another. The uncultivated mountaineer of Cumberland
has no taste, and no idea of what architecture means; he never thinks of
what is right, or what is beautiful, but he builds what is most adapted
to his purposes, and most easily erected: by suiting the building to the