determined in relation to the sense-impressions of other moments and
situations, or to what are presumably better percepts than the present
one. Sometimes this involves an appeal from one sense to another. Thus,
there is the process of verification of sight by touch, for example, in
the case of optical images, a mode of perception which, as we have seen,
gives a more direct cognition of external quality. Conversely, there may
occasionally be a reference from touch to sight, when it is a question
of discriminating two points lying very close to one another. Finally,
the same sense may correct itself, as when the illusion of the
stereoscope is corrected by afterwards looking at the two separate
pictures.

We may thus roughly define an illusion of perception as consisting in
the formation of a quasi-percept which is peculiar to an individual, or
which is contradicted by another and presumably more accurate percept.
Or, if we take the meaning of the word common to include both the
universal as contrasted with the individual experience, and the
permanent, constant, or average, as distinguished from the momentary and
variable percept, we may still briefly describe an illusion of
perception as a deviation from the common or collective experience.


_Sources of Sense-Illusion._

Understanding sense-illusion in this way, let us glance back at the
process of perception in its several stages or aspects, with the object
of discovering what room occurs for illusion.

It appears at first as if the preliminary stages--the reception,
discrimination, and classification of an impression--would not offer the