The Old Flute-Player - A Romance of To-day by Edward Marshall;Charles T. Dazey
page 45 of 149 (30%)
page 45 of 149 (30%)
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and everybody butts you."
"Your English is as hard to understand as any of the foreign languages!" his mother chided. "Every other word is slang. I haven't an idea what you mean." Down upon the steerage-deck Moresco, after the faint cheering, was declaiming loudly, now, about the towering statue and the liberty she symbolizes. Towards the mighty effigy the old flute-player's eyes were also turned, but the emotions it aroused in him were very different from those which the Italian laid his claim to. To him she did not stand for license, but for a freedom from that mysterious worry, which, in London, had been so horridly persistent, which had reached an intolerable climax in Hyde Park, that day when he had run across the German with the turned-up moustache, and from which the journey to America was a veritable flight. The Giant Woman of the Bay would prove to be to him, the old musician fondly hoped, what her designer had intended her to be to all the worried, fleeing people of all the balance of the earth--a great torch-bearer who would light the way to peace and plenty, free from the social and political turmoil and oppression of the worn-out lands across the sea. He drew a breath of crisp air into his lungs, held his daughter closer to his side, took off his hat and stood agaze while the brisk wind, strengthening for the moment, blew the folk around him free of steerage odors, waved his long grey hair about his forehead and flapped his long grey coat about his legs until its tails snapped. An instant later and combined assaults of manifold officials, pregnant with prying questions and suspicious glances, had driven all thoughts from his mind and those of other steerage passengers that America |
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