hand at the press, and much worse at the case."

This description of the printer's ability is borne out by the "New-Gift
for Children," printed by this firm. It is probably the oldest
story-book bearing an American imprint now in existence, and for this
reason merits description, although its contents can be seen in the
picture of the title-page. Brown with age and like all chap-books
without a cover--for it was Newbery who introduced this more durable and
attractive feature--all sizes in type were used to print its fifteen
stories. The stories in themselves were not new, as it is called the
"Fourth edition." It is possible that they were taken from the Banbury
chap-books, which also often copied Newbery's juvenile library, as the
list of his publications compiled by Mr. Charles Welsh does not contain
this title.

The loyalty of the Boston printers found expression on the third page by
a very black cut of King George the Third, who appears rather puzzled
and not a little unhappy; but it found favor with customers, for as yet
the colonials thought their king "no man of blood." On turning the page
Queen Charlotte looks out with goggle-eyes, curls, and a row of beads
about the size of pebbles around her thick neck. The picture seems to be
a copy from some miniature of the queen, as an oval frame with a crown
surmounting it encircles the portrait. The stories are so much better
than some that were written even after the nineteenth century, that
extracts from them are worth reading. The third tale, called "The
Generosity of Confessing a Fault," begins as follows:

"Miss _Fanny Goodwill_ was one of the prettiest children that ever was
seen; her temper was as sweet as her looks, and her behavior so genteel
and obliging that everybody admir'd her; for nobody can help loving good