The Wrack of the Storm by Maurice Maeterlinck
page 69 of 147 (46%)
page 69 of 147 (46%)
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But all this power, which seemed so blindly released, was in reality extremely circumspect, extremely subtle and marvellously disciplined. The handling of those shy though excited crowds called for the utmost prudence, as a certain French speaker, whom I will not name, but who wished to make a like attempt, learnt to his cost. The Italian is generous, courteous, hospitable, expansive and enthusiastic, but also proud and susceptible. He does not readily allow another to dictate his conduct, to reproach him with his shortcomings or to offer him advice. He is conscious of his own worth; he knows that he is the eldest son of our civilization and that no one has the right to patronize him. It is necessary, therefore, beneath the appearance of the most fiery and unbridled eloquence, to observe perfect self-mastery, combined with infinite tact and discretion. It is often essential to divine instantaneously the temper of the crowd, to bow before the most varied and unexpected circumstances and to profit by them. I remember, among others, a singularly prickly meeting at Naples. The Neapolitans are hardly warlike people; but they none the less felt on this occasion that they must not appear indifferent to the generous movement which was thrilling the rest of Italy. At the last moment, we were warned that we might speak of Belgium and her misfortunes, but that any too pointed allusion to the war, any too violent attack upon the Teutonic bandits would arouse protests which might injure our cause. I, being no orator, had only my poor written speech, which, as I could not alter it, became dangerous. It was necessary to prepare the ground. Destrée mounted the platform and, in a masterly improvisation, began by establishing a long, patient and scholarly parallel between Flemish and Italian art, between the great painters of Florence and Venice and those of Flanders and Brabant; and thence, by imperceptible degrees, he shifted his ground to the present |
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