however, is certain: it is far better to include more detail than is
required, than too little. Therefore, on the whole, it is advisable to
send a scene-plot (discussed fully in Chapter XI), as this part of the
script will show the producer at a glance exactly what different sets
are required to stage the picture, and how many scenes are "done" in
each set. It is simply a little help extended to a busy man; for in
particular it enables the editor to understand on first looking over
your script how the scenes follow up and fit in with the action as
described in the synopsis. At the same time, it is really a supplement
to the manuscript, and our experience has been that it is more
appreciated if written upon a separate sheet, and included with the
manuscript proper. Naturally, the scene-plot is not to be included in
scripts sent to companies that ask for "synopsis only."

Strictly speaking, as one writer on the subject has pointed out, the
photoplay manuscript consists of two _essential_ parts--the synopsis
and the scenario.[6] Manufacturers, however, have shown their approval
of having the list of characters, giving the names of characters and a
word or two describing their relations to each other, etc., much as is
done in some theatre programs. Let us, then, look upon the complete
photoplay script as being composed of

I The Synopsis.
II The Cast of Characters.
III The Scenario, or Continuity of Scenes.
IV The Scene-plot (as a supplement).

[Footnote 6: A discussion of the present-day requirement of "synopsis
only," as announced by some companies, will be found in Chapter
VIII.]