with that of the second one, the holes for each line being pricked
through the bottom of that above it. I did not see the completion of
the band, but I may say that the final line is similar to the second
and subsequent ones, and is not a triple-threaded line like the first
one. It was amazing to see this woman doing her work. She was an old
woman, but she did the whole of the work with her fingers, and she must
have had wonderful eyesight and steadiness of hand, as she made the
minute scarcely visible prick holes, and passed the end of her working
thread through them, with the utmost apparent ease and quickness.

The band thus produced is of very small, close, fine work, and is
quite soft, flexible and elastic, like European canvas, instead of
being stiff and hard, like the plaited belts and armlets. The band
is generally about an inch (more or less) in width. It is not dyed
or coloured in any way, but is often decorated with beads, which
are worked into the fabric in one or more horizontal lines, but as
a rule, I think, only at irregular intervals, and not in continuous
lines. These bands and anklets are seen in many of the plates. In
Plates 10, 11 and 12 the bead decorations are seen.

Dancing aprons are made out of bark cloth by both men and women,
but coloured by men only. The apron, which is worn at dances by women
only, is about 6 to 12 inches wide. It is worn, as shown in Plate 35,
in front of the body, being passed over the abdominal belt or a cord
so as to hang over it in two folds, one behind the other; and the
front fold, which is the part which shows (the back fold being more
or less concealed), and is generally 18 inches to 2 feet in length,
has at its base a fringe made by cutting the end of the cloth up into
strips, equal or unequal in width, the number of which may be only six
or less, or may be fifteen or twenty. The front fold is often wholly