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French Polishing and Enamelling - A Practical Work of Instruction by Richard Bitmead
page 36 of 136 (26%)
glass-paper. The embodying is then again commenced, a proper rubber and
cover being used; and when sufficient is put on, and while the surface
is still soft, the pounce above mentioned should be applied, and rubbed
down with a piece of wadding slightly moistened with linseed-oil until
the desired dulness appears. This is becoming the fashionable finish for
black walnut work.


=Polishing in the Lathe.=--The lathe is of more use to a polisher than a
great many persons outside the trade would imagine. By its aid turned
work can be finished in a most superior style, and in less time than by
hand. The articles usually done by the lathe are wood musical
instruments, such as clarionets, flutes, etc.; also cornice-poles, ends,
and mahogany rings, the latter being first placed in a hollow chuck and
the insides done, after which they are finished upon the outside on a
conical chuck. For table-legs, chair-legs, and all the turnery used in
the cabinet-work, it will be found of great advantage to finish the
turned parts before the work is put together.

Most of the best houses in the trade finish their work in this way,
where all the work is polished out entirely with the rubber. In the
first place, the filling-in is done. The band is thrown off the pulley
and the work rubbed in; at the same time the pulley is turned round by
the left hand. When this is done, the band is replaced and the work
cleaned off with rags or shavings, the lathe to be driven with speed to
get a clean surface. When applying the polish the lathe should revolve
with a very slow motion.

The rubbers best adapted for turned work are made of white wadding, as
the hollows and other intricacies can be completely finished out with a
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