through many dark and intricate passages in my progress to the _studio_
of his master. Much that I encountered on the way contributed, I know
not how, to heighten the vague sentiments of which I have already
spoken. While the objects around me--while the carvings of the ceilings,
the sombre tapestries of the walls, the ebon blackness of the floors,
and the phantasmagoric armorial trophies which rattled as I strode, were
but matters to which, or to such as which, I had been accustomed from my
infancy--while I hesitated not to acknowledge how familiar was all
this--I still wondered to find how unfamiliar were the fancies which
ordinary images were stirring up. On one of the staircases, I met the
physician of the family. His countenance, I thought, wore a mingled
expression of low cunning and perplexity. He accosted me with
trepidation and passed on. The valet now threw open a door and ushered
me into the presence of his master.

The room in which I found myself was very large and lofty. The windows
were long, narrow, and pointed, and at so vast a distance from the black
oaken floor as to be altogether inaccessible from within. Feeble gleams
of encrimsoned light made their way through the trellised panes, and
served to render sufficiently distinct the more prominent objects
around; the eye, however, struggled in vain to reach the remoter angles
of the chamber, or the recesses of the vaulted and fretted ceiling. Dark
draperies hung upon the walls. The general furniture was profuse,
comfortless, antique, and tattered. Many books and musical instruments
lay scattered about, but failed to give any vitality to the scene. I
felt that I breathed an atmosphere of sorrow. An air of stern, deep, and
irredeemable gloom hung over and pervaded all.

Upon my entrance, Usher arose from a sofa on which he had been lying at
full length, and greeted me with a vivacious warmth which had much in