common root--the pursuit of novelty in thought. It is this that has
turned the brain of nearly all the learned world of to-day. Human
blessings and human ills commonly flow from the same source: and, to
apply this principle to literature, those ornaments of style, those
sublime and delightful images, which contribute to success, are the
foundation and the origin, not only of excellence, but also of failure.
It is thus with the figures called transitions, and hyperboles, and the
use of plurals for singulars. I shall show presently the dangers which
they seem to involve. Our next task, therefore, must be to propose and
to settle the question how we may avoid the faults of style related to
sublimity.


VI

Our best hope of doing this will be first of all to grasp some definite
theory and criterion of the true Sublime. Nevertheless this is a hard
matter; for a just judgment of style is the final fruit of long
experience; still, I believe that the way I shall indicate will enable
us to distinguish between the true and false Sublime, so far as it can
be done by rule.


VII

It is proper to observe that in human life nothing is truly great which
is despised by all elevated minds. For example, no man of sense can
regard wealth, honour, glory, and power, or any of those things which
are surrounded by a great external parade of pomp and circumstance, as
the highest blessings, seeing that merely to despise such things is a