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A Dweller in Mesopotamia - Being the Adventures of an Official Artist in the Garden of Eden by Donald Maxwell
page 27 of 90 (30%)
The sergeant could not speak Hindustani and the pilot could not speak a
word of English. Mistakes of the most frantic nature were common,
especially when we were being whirled round and round by the stream at a
difficult corner. In the midst of controversy unrelieved by any glimmer
of understanding on the part of anybody present we would slide
gracefully into a state of rest on a mudbank or bump violently against
the shore. Luckily, it seemed as easy to get off the mudbank as to get
on it, and we finally got into positions we wanted to for making
sketches of various points. The pantomimic violence of the sergeant,
together with diagrams in my sketch-book, were ultimately successful.

[Illustration: A BEND IN "THE NARROWS" OF THE TIGRIS]

Nearly all the Tigris steamers proceeding up river have loaded
lighters on each side of them. These act as fenders at the corners and
take the bump whenever the bank is encountered. The progress is slow and
there is often a good deal of waiting, for in the region between Ezra's
tomb (above Kurna) and Amara there is not room for two steamers thus
encumbered to pass with safety. These waters are known as the Narrows.
Signal stations are placed at various intervals, and a signal is made to
clear the way, generally for the down-river boat, the up-river craft,
which, with the stream against them, will not have to turn round in
stopping, tying up to the bank. This manoeuvre is done in a few
minutes. The steamer that is to stop runs alongside the bank and natives
with stakes jump out and drive them into the marsh ground. She moors to
these until the other vessel has passed downwards.

The sketch facing page 30 was done from a steamer bound
up-river, which had tied up under these conditions. The paddler coming
down has a lighter on each side of her as the one sketched on page 38.
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