A Dweller in Mesopotamia - Being the Adventures of an Official Artist in the Garden of Eden by Donald Maxwell
page 30 of 90 (33%)
page 30 of 90 (33%)
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cumbersome compared with housing schemes on these flat lands bordering
the Tigris and Euphrates. Not only has the Marsh Arab evolved a style of dwelling that can be built in a night, but he can boast of a device still more alluring in its naivity and utility--the _Portable Village!_ [Illustration: A MARSH ARAB REED VILLAGE] I once made a sketch of a Marsh Arabs' village at evening (reproduced facing p. 34), and on returning thither on the following morning to verify certain details, I found it had gone! I succeeded in tracking it down again by the afternoon, about ten miles from its former situation, and found the mayor (or whatever the Marsh-Mesopotamian equivalent may be) inspecting the finishing touches being made to the borough. Of course it is frightfully muddling, all this moving about of villages, to the stranger who is not keeping a sharp look-out and marking well such impromptu geographical activity. Along the shores of the rivers of Mesopotamia and in the innumerable lagoons and backwaters that abound can be found large areas of tall reeds, ranging from quite slight rushes to canes twenty feet high. It is with such material the Marsh Arab builds. The long rods he bends into arches like croquet hoops. On this skeleton, not unlike the ribs of a boat turned upside down, he stretches large mats woven out of rushes. At the ends he builds up a straight wall of reed straw bound up in flat sheaves. An opening is left for an entrance, a mat, sometimes of coloured material, doing duty for a door. So much for the principal and removable part of the village. However, the town planner will add to this by improvising mud enclosures for animals, and an occasional wall and "tower." The mud is mixed with cut |
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