A Dweller in Mesopotamia - Being the Adventures of an Official Artist in the Garden of Eden by Donald Maxwell
page 55 of 90 (61%)
page 55 of 90 (61%)
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We clambered into a covered van, specially reserved--a sort of
Mesopotamian Pullman car. It contained a great litter of odd baggage and two Hindu officers who were very luxuriously fitted up with beds and a table. Divesting ourselves of our wet trench-coats, for it was still raining, we made some sort of a seat of our bags and were tolerably comfortable. Brown, who, now that he was dry and warm and well fed, was in the highest spirits, prophesied that our arrival in the enchanted city of the Arabian Nights was well timed, for it was Friday night, when all the mosques would be lighted up. "A million tapers flaring bright From twisted silvers look'd to shame The hollow-vaulted dark, and stream'd Upon the mooned domes aloof In inmost Bagdat, till there seem'd Hundreds of crescents on the roof Of night new-risen."[2] So sang Brown, with a map spread out, proving to me that we must alight at Baghdad South to get the best effect as we gazed entranced at the night glory of Bagdat's shrines of fretted gold and walked on to find romance and mystery by many a shadow-chequer'd lawn. "So much better," he argued, "to approach it gradually like this instead of arriving in a matter-of-fact way by train." It was still raining hard, and I had grave doubts about the splendour we were enjoying so much in anticipation, but I did not throw all cold water on his scheme, especially as much of it was planned for my benefit. Art would be the richer, although we, its humble devotees, might be the wetter. |
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