A Dweller in Mesopotamia - Being the Adventures of an Official Artist in the Garden of Eden by Donald Maxwell
page 56 of 90 (62%)
page 56 of 90 (62%)
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I forget now, very clearly what did happen when we arrived at Baghdad
South, because we had stopped some time, shunting about, and did not know that we were there. When at last we discovered that we were at the station the train was just moving off. Brown shouted to me to jump out and take our bags. I did so as best I could, but found myself up to my ankles in liquid mud, not a good position at any time for catching heavy baggage at a height, but singularly awkward in view of the fact that Brown in the dark could not see where I was and hurled the bags just out of reach, but sufficiently near to me to cover me with a kind of soup. [Illustration: A NOCTURNE OF BAGHDAD] My next recollection is that of Brown, dark against the sky, describing a parabolic curve and alighting further up the line. The train had gone, and a sloppy gurgling noise mingled with muffled exclamations growing more distinct indicated that Brown was endeavouring to walk in my direction. These were the only sounds that interrupted the steady noise of pouring rain. There was nothing in sight. Not only was it that we could not see the splendour of Baghdad; we could not see each other. After an interval of groping about and finding bearings, we began to get accustomed to the gloom and discerned some sheds or buildings up the line. Thinking this was the station we plodded on as steadily as possible through the mud. Dimly, through the rain, we could make out some palms and what appeared to be a domed building and a minaret. Then we reached a large wooden shed out of the shadow of which loomed an engine. It evidently had steam up, so we stopped and gave it a hail. I think I shall never forget the surprise of the next few minutes. As if in answer to our hail, a door opened in the dark mass of the shed and |
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