its merits that it was almost a relief to see nothing of Miss Howe
either; Hilda had gone to rehearsal, to the "dance-house," the servant
said, eyeing the unusual landau. Alicia rolled back into streets with
Christian names distressed by an uncertainty as to whether her visit had
been a disappointment or an escape. By the next day, however, she was
well pulled together in favour of the former conclusion--she could
nearly always persuade herself of such things in time--and wrote a
frank, sweet little note in her picturesque hand--she never joined more
than two syllables--to say how sorry she had been, and would Miss Howe
come to lunch on Friday. "I should love to make it dinner," she said to
herself, as she sealed the envelope, "but before one knows how she will
behave in connection with the men--I suppose one must think of the other
people."

It was Friday, and Hilda was lunching. The two had met among the
faint-tinted draperies of Alicia's drawing-room--there was something
auroral even about the mantlepiece--a little like diplomatists using a
common tongue native to neither of them. Perhaps Alicia drew the
conventions round her with the greater fluency; Hilda had more to cover,
but was less particular about it. The only thing she was bent upon
making imperceptible was her sense of the comedy of Miss Livingstone's
effort to receive her as if she had been anybody else. Alicia was hardly
aware of what she wanted to conceal, unless it was her impression that
Miss Howe's dress was cut a trifle too low in the neck, that she was
almost too effective in that cream and yellow to be quite right. Alicia
remembered afterwards, to smile at it, that her first ten minutes of
intercourse with Hilda Howe were dominated by a lively desire to set
Céline at her--with such a foundation to work upon, what could Céline
not have done? She remembered her surprise, too, at the ordinary things
Hilda said in that rich voice, even in the tempered drawing-room tones