Normandy Picturesque by Henry Blackburn
page 77 of 171 (45%)
page 77 of 171 (45%)
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familiar, even in the parks of London, planted 'by accident' (as we are
apt to call it), but standing together with clear purpose of protection and support,--the strong-limbed facing the north and stretching out their protecting arms, the weaker towering above them in the centre of the square; whilst those to the south spread a deep shade almost to the ground. French trees are under an Imperial necessity to form into line; the groves at Fontainbleau are as straight as the Fifth Avenue at New York. There are no studies of trees in all Normandy like the royal oaks of Windsor, there is nothing to compare in grandeur with the stems of the Burnham beeches, set in a carpet of ferns; and nothing equal in effect to the massing of the blue pines--with their bronzed stems against an evening sky--in Woburn Park in Bedfordshire. We may bring some pretty studies from Avranches and from the country round, but we should not come to France to draw trees. But there are studies which we may make near Avranches, and of scenes that we shall not meet with in England. If we descend the hill and walk a few miles in the direction of Granville, we may see by the roadside the remnants of several wayside 'stations' of very early date. Let us sit down by the roadside to sketch one of these (A.D. 1066), and depict for the reader, almost with the accuracy of a photograph, its grotesque proportions. It stands on a bank, in a prominent position, by the roadside; a rude contrast to the surrounding scenery. Presently there comes up an old cantonnier in a blouse and heavy sabots, who has just returned from mending the roads; he takes off his cap, crosses himself devoutly, and kneels down to pray. The sun shines upon the cross and upon the kneeling figure; the soft wind plays about them, the bank is lovely with wild flowers; there are purple hills beyond, and a company of white clouds careering through space. But the old man sees nothing but the cross, he has no eyes for the beauty of landscape, no ear for |
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