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Massimilla Doni by Honoré de Balzac
page 3 of 113 (02%)
a nation of kings has fallen so low, naturally some curious characters
will be met with. It is not surprising that sparks should flash out
among the ashes.

These reflections, intended to justify the singularity of the persons
who figure in this narrative, shall not be indulged in any longer, for
there is nothing more intolerable than the stale reminiscences of
those who insist on talking about Venice after so many great poets and
petty travelers. The interest of the tale requires only this record of
the most startling contrast in the life of man: the dignity and
poverty which are conspicuous there in some of the men as they are in
most of the houses.

The nobles of Venice and of Geneva, like those of Poland in former
times, bore no titles. To be named Quirini, Doria, Brignole, Morosini,
Sauli, Mocenigo, Fieschi, Cornaro, or Spinola, was enough for the
pride of the haughtiest. But all things become corrupt. At the present
day some of these families have titles.

And even at a time when the nobles of the aristocratic republics were
all equal, the title of Prince was, in fact, given at Genoa to a
member of the Doria family, who were sovereigns of the principality of
Amalfi, and a similar title was in use at Venice, justified by ancient
inheritance from Facino Cane, Prince of Varese. The Grimaldi, who
assumed sovereignty, did not take possession of Monaco till much
later.

The last Cane of the elder branch vanished from Venice thirty years
before the fall of the Republic, condemned for various crimes more or
less criminal. The branch on whom this nominal principality then
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