Punch, or the London Charivari, Volume 159, November 10, 1920 by Various
page 51 of 63 (80%)
page 51 of 63 (80%)
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justified by the notorious facts, established by the leading
psycho-analysts, that, just as mellifluous and melodious names exercise a mollifying influence on the activities of the sub-conscious self, so the possession or choice of strange or ferocious appellations incites the bearer, if I may be permitted to use so commonplace a term, to live up to his label. It is therefore with all the force at my command that I entreat and implore singers, players and dancers to think, not once but twice or thrice, before they yield to the fascination of the unfamiliar and adopt artistic pseudonyms calculated to intensify the "urges" of their primitive instincts. It is not too much to say that a singer who deliberately assumes the name of Pongo, Og or Botuloffsky runs a serious risk, in virtue of the inherent magic of names, of developing qualities wholly unfitted for the atmosphere of a well-conducted concert-hall. I believe that the question of establishing a censorship of artists' names has been seriously considered by Dr. ADDISON, in view of its bearing on public hygiene, and that he estimates the cost of staffing the new department as not likely to exceed seven hundred and fifty thousand pounds a year. Still, in these days when State economy is so needful, it would be better if the desired effect were attained by the pressure of enlightened public opinion rather than by the operations of even so inexpensive a department as that contemplated by the MINISTER OF HEALTH. * * * * * =IN FLANDERS FIELDS.= |
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