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Punch, or the London Charivari, Volume 159, November 10, 1920 by Various
page 51 of 63 (80%)
justified by the notorious facts, established by the leading
psycho-analysts, that, just as mellifluous and melodious names
exercise a mollifying influence on the activities of the sub-conscious
self, so the possession or choice of strange or ferocious appellations
incites the bearer, if I may be permitted to use so commonplace a
term, to live up to his label.

It is therefore with all the force at my command that I entreat and
implore singers, players and dancers to think, not once but twice or
thrice, before they yield to the fascination of the unfamiliar and
adopt artistic pseudonyms calculated to intensify the "urges" of
their primitive instincts. It is not too much to say that a singer
who deliberately assumes the name of Pongo, Og or Botuloffsky runs a
serious risk, in virtue of the inherent magic of names, of developing
qualities wholly unfitted for the atmosphere of a well-conducted
concert-hall.

I believe that the question of establishing a censorship of artists'
names has been seriously considered by Dr. ADDISON, in view of its
bearing on public hygiene, and that he estimates the cost of staffing
the new department as not likely to exceed seven hundred and fifty
thousand pounds a year. Still, in these days when State economy is so
needful, it would be better if the desired effect were attained by the
pressure of enlightened public opinion rather than by the operations
of even so inexpensive a department as that contemplated by the
MINISTER OF HEALTH.

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=IN FLANDERS FIELDS.=
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